Film Review 2017 - #9 If...
If... (1968)
Released at the end of 1968, ‘If…’ won the Palme d’Or at the 1969 Cannes Film Festival and has been heralded (by no less an authority than Rotten Tomatoes) as “Incendiary, subversive, and darkly humorous… a landmark of British counter-cultural cinema”.
Released at the end of 1968, ‘If…’ won the Palme d’Or at the 1969 Cannes Film Festival and has been heralded (by no less an authority than Rotten Tomatoes) as “Incendiary, subversive, and darkly humorous… a landmark of British counter-cultural cinema”.
This all seems appropriate.
The film is weird and wonderful.
Set in a fictionalised English public school, the movie follows a group
of rebellious students as they endure the sundry rituals, punishments and
humiliations that are part of normal, everyday life in an educational
institution of this kind. The film oscillates between colour and black and white scenes; the various incidents and episodes
have a surreal quality, to the point where the boundary between ‘real’ and
‘dream sequence’ becomes blurred; and the highly-stylised characters are
engaging and funny and persuasive. I
particularly liked the headmaster, who comports himself as some sort of
enlightened philosopher-king despite the brutality and oppression permeating
his kingdom.
Wikipedia thinks the film is a satire on English public
school life. I think this is to
underplay it. Satirising English public
school life is easy-peasy – it is blindingly obvious that, if you trap a group
of adolescent boys far away from home for years and subject them to a regime
based on nineteenth century malice, and you throw in the kinds of teachers and
adults who would be attracted to work in such an environment, then things are
bound to be a bit strange.
What is interesting, I think, is to see the film as a satire
on the entirety of English (and I do mean specifically English) culture. The reality was, and remains, that a simply
staggering proportion of the English elite – the judges and lawyers, the
journalists and media-wonks, the politicos and financiers – have been educated
in fee-paying schools, many of them in schools remarkably like that portrayed
in ‘If…’. It is simply inconceivable
that an educational experience like that does not profoundly shape your world
view. I met quite a few of these people
at university; I know whereof I speak.
Their notion of ‘normal’ is pretty strange.
So the really interesting question – as far as I’m concerned
– is why the rest of us have put up with this for so long. Pretty much the same set of schools have produced pretty much the same set of young adults groomed to take up pretty
much the same jobs in the Establishment for - pretty much - centuries. Every year they allow a few oiks (mea culpa)
close enough to the inner circle to sustain the illusion of social mobility
(and, indeed, to remove potential troublemakers from the massed ranks) and,
somehow, a truly English revolution has never taken place.
A revolution doesn’t really take place in ‘If…’ either - the
rebels are, after all, public-school educated members of the very elite they
come to despise – but I found the final surreal scenes of slaughter (including
the execution of aforementioned headteacher) enormously entertaining. I’d probably have enjoyed it even more if the
proletariat from the neighbouring village had run in with pitchforks to extend
the massacre, but I’m just being greedy.
It’s a funny, political, weird and thought-provoking film, and I’m
grateful enough for that.
[If there's a photo down here it was added
August 2017 as part of blog refresh. Photo is either mine or is linked to
where I found it. Make of either what you will.]
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